11/03

Althaus Restaurant, Poland

The design for Althaus created by PB/Studio, in cooperation with Filip Kozarski, combines traditional rustic elements with fresh modern style statements and is a great example of the wave of fresh design hitting Poland.

From the street, the restaurant gives is evidence to its claim as new and stylish addition to Poland’s culinary scene. Inside, it gets even more exciting where every section has been given a different look and feel unified through twists on traditional Bavarian design that meet modern style head on. The restaurant serves Bavarian cuisine and the decor reflects this throughout. Elements of Southern Germany have been subtly implemented through the inclusion of bottle green in the lamps and chandelier, the dominant painted units, the copper in the stunning bold minimalistic light features and the use of mosaic, referencing traditional beer production in the area.

On the ground floor, white washed panelled walls add a feeling of space, the use of rustic cow hide for the seating and soft furnishings, stripped oak, shelves displaying wine and books and a vintage dresser give the restaurant a homely authentic feel. On the upper floor, the bar and buffet areas amplify this rustic feel with bottle green panelling throughout.

The design showcases traditional elements within a more casual and simple environment than one would expect, successfully, juxtaposing the traditional elements against modern styles.

The bathrooms are incredibly enchanting with the fresh balance of the simple brick wall tiles, continued from the main restaurant, complimenting the more ornate original monochrome tiled floor.

(Images from Retail Design Blog)

 

18/03

Kin, London

Kin’s quirky interior is the result of a collaboration between neighbouring London studios Office Sian and Kai Design.

Large, bright letters at the entrance set the tone for the Thai restaurant that sits behind a modest shopfront. The space combines the simple furniture and finishes you’d expect from a canteen with more unusual touches like the organic wall illustrations, allowing the space to be playful but not overwhelmingly so. Rough brick and plasterboard walls provide the perfect backdrop for collections of items you might find a home, such as mirrors and colourful cupboards, arranged in unconventional ways, giving the space a pleasant, haphazard atmosphere.

(Images via Dezeen)

20/12

Ubon, Kuwait

Charred timber and shiny copper accents characterise Ubon, a Thai bistro in Kuwait. The restaurant, designed by architect Rashed Alfoudari, seamlessly integrates the interior with the existing structure of the space, making use of a reserved palette of colours to create a bistro space with an Asian feel. The golden copper, used on the walls and insides of lamps is a nod to Thai ornamentation and adds interest to the subdued hues of the walls and exposed concrete floors and ceilings. A darkened mirror separates the dining space from the service spaces, subtly making the space seem larger. Visual continuity is maintained throughout the space and continued into the restroom where the texture of the wood grain is imprinted on the concrete walls.

(Images via Aome)

17/11

Amelie and Friends, Chichester

Amelie and Friends, a relaxed restaurant in Chichester, has been designed and branded by I Love Dust and 44th Hill. The interior has a natural, calm feel, thanks to the extensive use of whites and timbers. Exposed conduits and exterior light fixtures (used in the interior) are used to create a visually interesting ceiling. Timber floors and wallpanels create warmth in the light and airy space. The dining hall is simple, but still manages to surprise with interesting touches like the old farm-style tables that have been partially painted white.

(Images via 44th Hill)

14/10

Sideways Cafe by Nema Workshop, New York

New York designers Nema workshop have created this unusual interior for emerging brand D’espresso.

Asked to relate the design to its location in Madison Avenue, Nema workshop took inspiration from nearby Bryant Park Library but turned the room sideways to form this playful interior.
Full scale photographic prints onto custom tiles allow bookshelves to wrap from floor to ceiling,  whilst gravity defying pendant lights jut out from behind the bar.  A herringbone clad wall opposite to this mimics a floor in this surreal café space.

The designers’ slanted take on a straightforward concept makes for a spectacular, if not slightly disorientating interior!

20/05

Rosa's Soho

After much success in Spitalfields, Rosa’s Thai restaurant opened a ‘Pop-Up’ in Soho called Noodles, this was so well received that people in Soho now have permanent access to a Rosa’s fix.

The interior design, done by Gundry and Ducker, features moulded oak panelling lined with brass plates at the edges. The design is intended to be reminiscent of a traditional British cafe with a Thai edge. A warm and inviting interior is achieved by using soft lighting and red and brown tones. This color scheme is used throughout the ground floor, with lighter tones as it is intended primarily for daytime use.Booths and partitions are formed by the moulded oak panelling, which are modified in places to form coat hooks and lamps. The oak profiles are echoed in the borders of the laser-cut brass plates that decorate the walls. The basement is much darker, featuring gloss, gray and reclaimed teak, reflecting its purpose as an evening space.


And here is a little bit about the Pop-Up, in case you missed it:

The designers chose to celebrate the temporary nature of the restaurant by whitewashing the  interior of the shop it was located in as they found it and using materials and construction methods that are usually associated with impermanence. They placed a series of plywood booths throughout, these had glowing red interiors and arched entrances. Chairs were also made of plywood and were held together by cable ties. They made use of illuminated signage and arrows, and this, along with the color scheme was intended to acknowledge Soho’s red-light district heritage. Displayed on the shelves were laser cut highlights from the menu, each in a typeface reflecting its character.


(via Dezeen and Gundry+Ducker)

18/10

Pizza East / Good Restaurant Interior Design Shoreditch

PIzza East Restaurant Design View

As far as good new restaurant interior design goes Nic Jones, founder of the Soho House Group does it again with his new pizza restaurant called Pizza East. Which is opened to all and on the ground floor of the Tea building in Shoreditch. I say open to all because for those who don’t know, in the same building is Shoreditch House, which is one the most contemporary restaurant design spaces in London and which is only open to members. Therefore, the introduction of Pizza East for all the non-members who want a slice of the House styled grittiness is the perfect antidote. The site is located in the corner of the Tea building on the corner of Shoreditch High Street and Bethnal Green Road. This building lends its self perfectly to restaurant design concepts of this ilk. The site I guess can cater for 100 to 150 persons, and still with plenty of room to swing your bicycle or scooter helmet, (unfortunately cats are not allowed).

The building space already has the excellent backdrop of the tea building, which has exposed brick, concrete ceiling and columns and crittall glazed windows. However, I believe the previous tenant had concealed a lot of these finishes with either dark paint of poor lighting, I never remember the building fabric looking so rich in it’s raw state. The fabric has always been there, it just took the right operator to enhance these features.

Regarding the restaurant design layout there is a long open kitchen with two wood burning pizzas ovens. A centralised

dispense bar that neatly breaks up the space into different areas. There is also a large communal table I assume for when the site is over whelmed with customers. It has to be the biggest dining table in this area. The window seats have to be the best but we did find with the late autumn sun a little over bearing and our table of 6 had to recamp to the rear of the restaurant to avoid the sun.

The restaurant furniture design is very simple, with exposed wood table tops that are used through out the space. Industrial bent metal chairs with bentwood ply seats and backs. String formed lamps hang over the long 18 seater singer bracketed stools. Exposed galvanised extract ducting and polished chrome ventilation hug the surface of the concrete soffit. A diamond button back antique leather banquette sits against an exposed brickwork wall, with chipped enamel down lighters.

Restaurant menus design has been kept very simple, with the layout mimicking what is going on in Shoreditch House. I expected the pizzas to be exactly the same as the those in the members club upstairs. However, to my surprise the pizza arrived more rustic and earthy, the pastry being more crispy. Personally I don’t mind, I am just impressed that the group have decided to make the detail of the pizza offer different.

Overall, an excellent additional to the Shoreditch area, which we as a design team will enjoying going to in the future.

Pizza East EntrancePizza East Kitchen View

Pizza East Dining

23/02

Vegetal Chair Review By B3 Designers

Vegetal chair by the Bouroullec brothers for Vitra.

The latest addition to the Vitra collection by the Bouroullec brothers is the Vegetal chair which will be released in early 2009.The chair is a result of a four year long process which started with a sketch reminiscent of the designers ‘Algues’ collection.
The initial design, which was much more filigree than the end result, had to be altered in order to achieve a design that would be feasible for mass manufacture.
The chair is injection moulded in a single operation thus making it a more affordable product.
Even though the design feels quite different from the initial idea ( it looks a lot more abstract and functional than the first models) it is still a refreshing and poetical design which has the typical ‘Bouroullec’ touch. It will be a welcome addition to the portfolio of any interior designer as it is often difficult to find beautiful plastic chairs that are suitable for restaurant interior design as well as outside seating.

19/02

Tsunami Restaurant reviewed by B3 Designers


Tsunami Opens Second Restaurant

The successful London restaurant Tsunami has opened a new branch in the West End.
Situated on Charlotte Street (home to other famous restaurants such as Roka, which B3 Designers worked on) it offers modern Japanese cuisine in a stylish environment.
The interior design is contemporary and delicate with golden flower patterns decorating the white curved walls.
Having already received very good reviews by the likes of Fay Maschler and Terry Durack , this new restaurant is sure to be a success.

18/02

Fabric Bricks

Building Spaces and Product from Fabric Bricks

The Parisians Ronan & Erwan Bouroullec in collaboration with Danish textile manufacturer Kvadrat have designed this innovate, sophisticated and colorful new tile concept, funny-shaped foldable fabric “thing”.

As a single element those pieces won’t do too
much, but as you can see in these images, once put together, they can make shapes or partitions. The modules connect to each other with custom rubber bands. Anchored on either a ceiling or wall and configured to a specific environment.
The tiles are easy to arrange and re-arrange to reflect your ideas and bring self-expression into your home.

The range of forms and sizes that can be built are infinite, conferring versatility for both small and architectural projects.

The modular quality confers versatility to the design as B3 Designers did in the “Cardboard Cafe” Exhibition for the 2009 Design Fair in London. In this case 8000 cardboard boxes edged with fluorescent orange transformed the studio space into a café for one week.



Photo 1. “Roc”
Ph
oto 2. “North Tiles”
Photos 3-4. “Clouds”

10/02

Albion

The Albion, designed by Conran, brings a touch of 50s England to the East End. Comprising of a shop selling traditional English fare and a “caff”, it serves coffee in red enamelled coffee pots and tea in brown tea pots complete with cosy.

An open kitchen, tongue-and-groove, brick tiles and oak tables all give the space a warm and inviting atmosphere.
02/01

Interior Designing Solutions for your Restaurant / Colour

Restaurant interior designers are facing greater challenges now as customers are getting to be more discerning and demanding. They want comfort, beauty and innovation at the same time, and delivering all of these in a satisfactory package may be a daunting task for quite a few restaurant interior designers. The good news is, it need not really be all that hard.

The Wikipedia entry on interior design makes the task appear to be quite a daunting endeavour. It says, “The work of an interior designer draws upon many disciplines including environmental psychology, architecture, product design, and traditional decoration (aesthetics and cosmetics).” Of course, few of us can claim to be masters of all the disciplines mentioned. So is there an easy way out? Actually, yes. You don’t even have to spend a ton of money to get the desired effect in restaurant interior design. All you have to do is keep in mind certain basics. what is the colour of your restaurant?

Colours

When I went to see a talk given by Kevin McLoud on his book COLOUR, he mentioned that he was constantly asked by people “what colour should I paint my room”. He rather wittingly said “paint it cream”. I was expecting him to give some complicated answer regarding space, and appropriateness. It is the universal colour of safeness. It is near to impossible to decide on a colour for a space without seeing it in context. But I believe Kevin’s advice is helpful as a starting point. In most cases cream or white are colours that are ideal to enable the space to stay light and bright and practical. However, if every interior was this colour the world would be a boring place.

In a restaurant one needs to think through this process and start with defining what the brand is, where the space is positioned and who is the target audience. Below is a selection of colours that have been pulled together whilst being inspired by the adjacent photograph. The palette is diffused and harmonious. These colours could be used through out the space in different materials, wall colours and fittings.

In a restaurant it is good to use a far wider range of colours to fulfil any demands from the brand identity. If we were looking at the other end of the palette we would be suggesting aubergine, charcoal and fawn as below.

We specialise in developing colour palette for our clients, so that we can make a big change to a restaurant space without having to spend a fortune. If you would like us to speak with you about developing a new colour palette for your restaurant, please do not hesitate to contact us at colours@b3designers.co.uk