26/11

CORNFIELD BY RYUJI NAKAMURA

An installation by Japanese architect Ryuji Nakamura is being exhibited at the museum of modern art, Tokyo. Constructed entirely of paper and glue, the delicate structure is over 53.9 m2 with the longest side measuring 16m and the whole installation the height of an average person. Nakamura designed the installation so it can never be viewed in its entirety.

The lines of paper are meticulously attached to one another to create a lace-like structure with a weightless appearance. Cornfield sits like a low, fine mist in the gallery space and the complex geometry allows tiny glimpses through to the other side of the room. With its complexity and subtlety, Cornfield is a stunning piece of design.

Images via Designboom

29/10

OPEN HOUSE – 20 ROOM VERTICAL GREENHOUSE

Could this be the future of community centres? Open House is a vertical village of haphazardly stacked house shaped rooms recently opened in Anyang, Korea.

Raumlaborkorea, a research and intervention unit of the design group Raumlaborberlin, were invited to design, programme and build this centre as part of ‘Anyang public art project/ A new community in the open city’. Described by it’s designers as a ‘social sculpture’, the project aims to knit into the existing urban and social landscape and not only serves the local community but was also built by them!

Two hundred residents of Anyang took part in building workshops and completed the stacked rooms which include a bicycle rent shop, a children’s play pavillion, a community garden and a tea room.

I love this project, Raumlaborkorea have reinvented the architecture associated with community and participation and created a playful and exciting project which also looks great!

28/10

RICHARD CHAI AND SNARKITECTURE POP UP STORE


Brooklyn based architects Snarkitecture and fashion designer Richard Chai have teamed up to transform a retail space into an urban glacier using a single material, white architectural foam. An existing structure was lined with foam and walls were sculpted by hand with hot wire cutters creating a landscape of light and shade perfect for housing Richard Chai’s latest fashion collection.

Designed as part of the Building Fashion series at HL23, a collaboration between architects and fashion designers, the space reveals a curatorial approach to architectural design and fashion. Niches and insertions into the cavernous foam walls become moments of display, telling the story of the collection piece by piece. There’s just something so satisfying about the perfectly straight slices and rocky surfaces of the foam, however I did wonder about the use of such an energy intensive material for a temporary installation.Thankfully, the architects have recognised this issue and the sculptural walls will be re-incarnated as rigid building insulation.




18/06

1:1 Architects Build Small Spaces at the V&A

From this week, a brand new curiosity is on display at the V&A. Architect Terunobu Fujimori’s ‘Beetle’s House’ cuts a dark and crooked figure in the relative light and airiness of the Museum’s Cast Courts. The structure is part of the 1:1 Architects Build Small Spaces exhibition, aimed at promoting our engagement with real architecture, offering an antidote to the standard methods of building exhibition: drawing, model or photograph.


Fujimori’s elevated tea-house, along with six other designs constructed for the Museum at full-scale, was designed to ‘examine notions of refuge and retreat’. The tough charred wood exterior (resembling a beetle’s shell) protects the visitor and the sense of intimacy, offering only two small windows to remind us that an outside world still exists.


The Japanese sense of ceremony is intrinsic in the structure’s design and materiality. Our shoes must be removed before climbing a small ladder to the compact interior, which can accommodate only four people at a time. Our heads are dipped on entry (in imitation of a bow) in order to avoid clashing with the steep pitch of the roof. Inside, yet more curiosities are to be found: a model bike, a signed picture, a set of cups and a teapot in the hearth. Perhaps testament to its importance in everyday life, the hearth is the only part of the earthy, white interior that is allowed to bulge through to the outside, penetrating the beetle’s dark, grainy shell.


Despite being crammed in amongst the Museum’s native relics and artefacts, ‘Beetle’s House’ remains a stark and solitary edifice. As if plucked from a remote Japanese mountain-top, it seems uncomfortable with the strange and busy world it has entered, harking back to a simpler time and place. With the ability to transport its visitors there too, ‘Beetle’s House’ makes a strong case for the use of 1:1 scale to create delight and intrigue.


The exhibition runs until 30 August and admission is free.

12/05

Bethnal Green Town Hall Hotel

There’s a new designer hotel on the block in Bethnal Green, in the familiar shell of its Old Town Hall. Behind the Grade II listed building’s Edwardian/Art Deco facade now sit some of the most stylish hotel rooms and luxury apartments in the city. Hip French architects, Rare, have worked with hotelier, Peng Loh, to give the giving the building a complete make over.

In keeping with the East End’s creative reputation, they worked together with Artsadmin to commission works by up and coming young, local artists. The spacious apartments are fitted out  with a mix of one of a kind vintage furniture and contemporary Scandinavian pieces, and each comes with their own designer kitchen. Not that guests would need a kitchen… The Hotel’s restaurant, Viajantes, headed by chef Nuno Mendes promises to be a culinary treat. The interior features bespoke, handcrafted furniture and has an intimate atmosphere to complete the dining experience.

This chic addition to Bethnal Green is  a design hotel with a difference, perfectly combining sleek city style with old world elegance.


(images via Design Hotels)

27/11

Santa-Caterina Market, Barcelona

Santa-Caterina Market, originally dating back to 1848, is based in the heart of Barcelona, which has recently been renovated taking seven years to develop. The new roof for the market was designed by Enric Miralles and Benedetta Tagliabue of EMBT Arquitectes.

As Barcelona is the city of Gaudi, the architecture of Santa-Caterina Market has been produced to duplicate the surrounding urban culture of surrealism, bringing the city together with its range of colours.

The multicoloured waved roof contains around 325,000 different geometrically ingenious glazed stone tiles by Ceramica Cumella. These tiles were created with high temperatures being fired at them, from Seville, giving off a glaze that reflects its neighbouring buildings.

The interior of the Santa-Caterina Food Market houses around 100 stalls with three floors, selling all types of food. Like the roof, the interior has a glow of various colours from the fruit and vegetables that brightens the market up inside.

Architects were given this site, Santa-Caterina Market and had many options of what they could change it into but decided to keep it a market but make it more ambitious and eye-catching. When generating the structure and form of the roof, each laminated panel had been cut by hand, as the computers didn’t have the ability to create the curves that were required.

The design of Santa-Caterina Market’s roof is simple but very effective, keeping in touch with Barcelona’s style of architecture and culture.

http://www.styleture.com/files/2009/09/sanata-caterina-market-barcelona.jpg

santa caterina by TwOsE.

15/10

Darwin Centre by CF Møller Architects

The £78 million Darwin Centre at London’s Natural History Museum by CF Møller Architects has opened last month to the public. The structure takes the form of an eight storey concrete cocoon surrounded by a glass atrium and provides research facilities for UK scientists as well as safe storage for the museum’s millions of specimens. The centre will invite up to 2,500 visitors a day. This second phase of design completes the museum’s Western site and connects Alfred Waterhouse’s 1881 building with the first phase of the Darwin Centre that opened in 2002. The public is invited to take part in a “cocoon tour” where they will be able to see some of the 350 scientists at work in laboratories behind glass screens and look at some of the 17 million insect specimens, three million plant specimens and countless mammals in jars (not by Damien Hirst but the museum’s long term collection). This is science with a coolness factor – accessible, entertaining, inspiring and educational.

cocoon 7

14/07

MIX: Nine SD Architects and Designers

by Tina M Cheng

MCASD LA JOLLA
May 22 through September 6, 2009

The Museum of Contemporary Art in San Diego is currently showcasing the work of nine San Diego Architects and Designers.  MIX represents a variety of distinctive practitioners from seven studios who all graduated in the 1980s.  Each designer has enriched the San Diego community through architecture, focusing on the social and economic factors underlying their work.  MIX blends photos, construction, art and the process of design to make a lasting impression in this atypical architectural exhibit.

Featured Studios and Architects:
Estudio Teddy Cruz | Teddy Cruz
Luce et Studio Architects | Jennifer Luce
Sebastian Mariscal Studio | Sebastian Mariscal
Public | James Gates and James Brown
Rinehart Herbst | Todd Rinehart and Catherine Herbst
Lloyd Russell | Lloyd Russell
Jonathan Segal FAIA | Jonathan Segal


Photos courtesy of Architecture Week via Pablo Mason / Museum of Contemporary Art San Diego
25/05

“On the Bri-n-k”

Professor Ingeborg M. Rocker of Rocker-Lange Architects and students at the Graduate School of Design at Harvard University (USA) have used a robot to build an undulating double-wall structure. The robot arm was programmed to place 4,100 wooden bricks to create complex double-curvature walls. The project, called On the Bri(n)ck, was a collaboration between the school’s computer-aided design and computer-aided construction departments.

And even though this project reminded us strongly of the work of Swiss architects Gramazio & Kohler, we would have loved those robots to put up the walls for our cardboard cafe that we presented last year. A similar structure created from 9.000 cardboard boxes – all put together by using pure human power (no robots unfortunately).

The wall is on show at the school until 30 June.