• 25/01

    Lucas Maassen & Sons Furniture Factory.

    Lucas Maassen, a Dutch designer, ingeniously employed his three sons, Thijme (9), Julian (7) and Maris (7) to paint the furniture hand built in his factory. The boys get paid 1 Euro per piece of furniture painted, as agreed in their contracts and due to Dutch child labour laws they are only allowed to work three hours a week. This motivates the boys to paint fast, influencing the final aesthetic. The resulting pieces are simple, honest and revelatory of the manufacturing process.

    Film and images by Mike Roelofs.

  • 23/11

    Bungalow Eight, Mumbai

    Bungalow Eight in Mumbai (not to be confused with London’s Bungalow 8 nightclub) is a beautifully curated luxury store, selling products ranging from high quality clothes to home ware. The store is spread across a three story building, designed by architect Bijoy Jain, and takes its name from the address where Maithili Ahluwalia, the owner, grew up. The spacious building has unusually high ceilings and was left mostly bare, with raw concrete and exposed trusses. The few fixtures that do adorn the space is minimal and high end, like the tube lights by Michael Anstassiades. The selection of objects on sale all originate from either India or France and are arranged in such a way that you may be mistaken for being in someone’s home.


  • 10/11

    Marion Friedmann Gallery – Enlightened Waste

    Newly-established  Marion Friedmann Gallery curated an interesting show in Brompton Design Quarters during the London Design Festival. Enlightened Waste showcased two designers working with recycled materials.
    Thierry Jeannot, French-born but currently based in Mexico, has been working exclusively with the PET bottle as his raw-material for the last five years. He explores various techniques of using the bottle and to transform its materiality. Featured above is his beautiful chandelier, made solely from PET bottles, as well as his rings which consist of bottle screw threads framed in re-used silver.
    Vienna-based Gisela Stiegler has been carving expanded polystyrene for the last six years. Her lamps and wall-consoles are carved by hand out of styrofoam blocks or the boxes that fish mongers use to cool the fish. The slightly pinkish tint in the light sculpture above is actually the fish blood that had soaked into the boxes.
    Text and Pictures by Brit Leissler for Core77
  • 03/11

    New Bus for London by Heatherwick Studio

    In January 2010, Heatherwick Studio joined the team leading the design of a New Bus for London. The project marks the first time in more than 50 years that TfL has commissioned and overseen the development of a bus built specifically for the capital.

    Working alongside specialist bus manufacturer, Wrightbus, the external design has been developed to reflect the functional requirements of the vehicle. A long asymmetric front window provides the driver with clear kerbside views, while a wrapped glazing panel reflects passenger circulation – bringing more daylight into the bus and offering views out over London.

    By incorporating an open platform at its rear, the bus reinstates one of the much-loved features of the 1950s Routemaster which offered a ‘hop-on hop-off’ service. The new design will also have three doors and two staircases, making it quicker and easier for passengers to board.

    In engineering terms, the New Bus for London will be 15 per cent more fuel efficient than existing hybrid buses and 40 per cent more efficient than conventional diesel double-deckers.

    Designs for the new bus were unveiled by the Mayor of London, Boris Johnson, in May 2010. A first prototype developed by Wrightbus was completed earlier this year.

  • 13/10

    UdK Bookshop 2010 by Dalia Butvidaite, Leonard Steidle and Johannes Drechsler

    The UdK Bookshop was created by students from the Berlin University of Arts to create an interdisciplinary platform for the works of students and professors. The brief dictated that the installation had to temporary, as the event would only last for three days.

    A final design was selected from entries in a student competition, the winning design was a cardboard structure, chosen for its flexibility, stability, affordability, sense of impermanence and recyclability.

    Six hundred 2,6 by 1,3 meter corrugated cardboard panels were cut, perforated, folded and glued together to form a massive block, which in turn was pulled apart like a giant accordian to achieve its final shape. Adaptable to any space, the entire shelving unit can be easily folded down to a tenth of its ultimate length for storage or transport purposes.

    The cardboard itself, despite being light in nature, provides enough rigidity not only for the books, but also for the lowest shelf, which doubles as a bench for events, a place to display oversized objects, or simply to sit comfortably while leafing through a book.

    At the end of the event, the shelving unit was auctioned off, ensuring funding for more publications as well as the continuance of the Bookshop in the coming year.

    (Images by Reiner Hausleiter)

  • 27/09

    Blueware by Glithero

    Blueware is a collection of ceramics by London-based product design duo Glithero. Age-old processes of preservation and photography are deconstructed and inventively recombined with surprising results. Botanical specimens of weeds found in inner London are pressed, dried and composed into delicate patterns and placed on ceramic tiles and vases. Light sensitive chemicals and UV light are then used to ‘expose’ white photograms of  the silhouettes of specimens. The resultant ceramics are thoroughly contemporary, but also traditional in the colours and production methods they employ.

    Glithero’s work has a strong emphasis on the process of production, which for them is more important than the actual products. As a result of this fascination they have created a beautiful machine for the production of the vases and carefully choreograph and document all of their production practices.

    But to really appreciate the product and the process behind it, it is best to watch the beautifully made video documenting the intricacies of the production of a vase.

    (Images via Glithero)

  • 29/07

    Aesop Grand Central Kiosk

    Australian skincare brand Aesop is not only know for its excellent skincare lines, it has also built up a reputation for innovative interiors that make use of unusual materials. The newest addition to the Aesop family is a kiosk in New York’s Grand Central Station.

    For their first American store, Aesop’s director Dennis Paphitis collaborated with Brooklyn based architect Jeremy Barbour of Tacklebox to create an unique interior. The kiosk interior was built of more than a thousand recycled copies of the New York Times. The copies were stacked, torn and bound to create volumes with that are both interesting and strangely familiar to commuters passing by in the Graybar Passage. The newspaper shelves are topped with powder coated aluminium and rows of neatly organised Aesop products.

    (Images via Dezeen)

  • 23/06

    Printed Wikipedia by Rob Matthews

    Not that this is a subject particularly related to interior design, but nevertheless it has become an important tool in most of our lives, so I do think it is worthwhile to feature it: London designer Rob Matthews has printed the full version of all featured Wikipedia articles and bound them into the possibly thickest book on this planet. The self-updating and information balancing nature of Wikipedia obviously doesn’t work in this version anymore, but it still is impressive to see in tangible form the sheer information that the site consists of. It contains more than 5000 pages and can probably be named the most influential encyclopedia of the 21st century.


  • 28/02

    The Mast Brothers Chocolate factory

    The story of The Mast Brothers Chocolate began in a New York apartment, where Rick and Michael Mast started processing cocoa beans with a homemade machine. Overtime they refined their creation and started sourcing beans from family farms as far as Madagascar and Ecuador. Their chocolate is now produced in a small, three room factory in Williamsburg, New York, with the same passion and care as in the very beginning.

    On weekends the first room doubles as a shop front. Customers can browse their range of handmade chocolates in the pared down factory and catch a glimpse of the machinery that was used to make it. During the week is when the real action takes place, from sorting and processing the cocoa beans to making the chocolate and wrapping it.

    The history and process of making chocolate is as important to the brothers as the final product and this care is evident in the quality, each bar is unique and no two have quite the same flavour.

    The chocolates are hand wrapped in golden foil and decorative paper.

    The brothers are now planning on navigating the Atlantic in order to source beans and get to know the people who grow them.

    Images via The Scout.

  • 29/11

    RGB EXHIBITION BY CARNOVSKY

    On show until February 2011 at the Johanssen gallery, Berlin, Milan based designers Carnovsky, developed this wallpaper which changes with different coloured light. Already beautiful as it is, different coloured filters reveal animal illustrations amongst the technicolour tangle of images. Its amazing to see the animals emerge and disappear with the change of lighting. The wallpaper was designed for Italian brand Janelli&Volpi.  Described by the designers as an exploration into the surface’s ‘deepness’, along with the wallpaper, the RGB print has been applied to smaller scale prints and objects which also are displayed as part of the exhibition.

  • 18/11

    Objective by Tomoko Azumi at Rocket Gallery

    The “Objective” exhibition shows a selection of London based Japanese designer Tomoko Azumi’s furniture, spanning from 1995 to 2010. Included are her table-chest, AT-AT desk, hexad tables, arc chair, ro-ro rocking chair, spin tables and shingle chests.

    Throughout her career, she has made a point of working with medium-scale furniture manufacturers who share her same vision for function and quality. on show are models, drawings and watercolor sketches which relate to these collaborations.

    The gallery exhibition, presented by Rocket/Jonathan Stephenson is on til November 20. so hurry in order to see it!

    Via designboom

  • 30/10

    Plera Pendant Lamp by DZstudio

    All hail Plera, the  effortlessly elegant pendant lamp from Italian designers Andrea Di Filippo and Enrico Zanolla (better known as DZstudio). The lamp’s name comes from the Italian ‘pleara’ or funnel and it’s this simple upturned shape that gives the product its minimalist beauty and appeal.

    Cold and classic porcelain has been chosen to communicate the simplicity of the small suspension lamp’s form, neatly juxtaposed with a wooden rim for a friendly touch of warmth.

    Andrea and Enrico formed DZstudio in 2004, having graduated from the University of Architecture of Venice (IUAV) the same year. The studio works in research and design for various fields, such as furnishings, yacht and car design.

  • 22/09

    Zeed by Sara Leonor

    Sara Leonor, associate designer at B3 Designers, will launch her first piece of functional art at Tent London tomorrow.  

    Sara’s desire to create sculptural volumes from geometric shapes and patterns resulted in Zeed, a striking chair that replicates a seed’s ability to grow by stacking. The unusual chair is currently available in oak, beech and steel, but can be manufactured in a range of materials. It features strategic magnets, giving stacked chairs stability.

     I recommend going over to stand E26 of Tent tomorrow to see this one of a kind chair for yourself, in the mean time check out www.saraleonor.co.uk for more details.

  • 17/09

    Bacterioptica Chandelier by MADLAB

    Petri dishes and fibre optic cables are the stuff of this strangely beautiful custom chandelier by New Jersey design outfit MADLAB. Named Bacterioptica, as if in homage to some Sci-fi comic villain, its stretching and swirling forms hover ominously over its owner’s dinner table.

    Its creators say:

    Bacterioptica is designed to be adaptive, not only in its form and mechanics, but more importantly, in the way it evolves. Bacterioptica is not your typical chandelier, just as no family is a typical unit of interactions. Its on/off switch does not control it. Bacterioptica is alive. It grows. It is itself a household organism. It is living and breathing the same air and bacteria we are.

    The award-winning architecture firm explore everything from interior fixtures to urban environments and was founded in 2003 by Petia Morozov and Jose Alcala.

  • 06/08

    Turned up tiles from Urbanproduct

    Multi-disciplinary design studio Urbanproduct has launched ‘Dune’ – a tactile and sensuous wall treatment that invites people to engage with it. They believe that by the inherent charm of recycled and reclaimed materials can be repurposed to bring new meaning to modern spaces.

    The Toronto-based studio is working with local manufacturers to develop the elegant tile in a variety of materials. Wooden and ceramic batches have been added to the range this year, which include concrete tiles naturally pigmented with a soya based finish. The tiles can be configured differently for a variety of patterns and effects, lending a playfulness to any wall or surface.

  • 19/07

    Honda's U3-X Personal Mobility Prototype

    Honda re-invented the wheel – or at least rethinks the concept of personal mobility with its U3-X.

    Providing the rider with freedom of movement in any direction forward, backward, sideways and diagonally by simply leaning slightly in the desired direction. The lightweight and compact one-wheeled device also features a foldable seat and retractable footrests. A lithium-ion battery pack provides power for up to one-hour of use and can be recharged by plugging in to a conventional household or office 120-volt power outlet.

    Via Honda

  • 01/07

    A very cool fridge indeed!

    The Bio Robot Refrigerator is four times smaller than a conventional refrigerator and cools biopolymer gel through luminescence. Yuriy Dmitriev, Russia is one of the semi-finalists of the Electrolux design lab 2010. Rather than shelves, the non sticky, odourless gel morphs around products to create a separate pod that suspends items for easy access.

    Without doors, draws and a motor 90% of the appliance is solely given over to its intended purpose. At the same time, all food, drink and cooled products are readily available, odours are contained, and items are kept individually at their optimal temperature by bio robots. The fridge is adaptable – it can be hung vertically, horizontally, and even on the ceiling. Different sizes and dimensions allow it to perfectly fit the accordant dwelling.

    Via Materia

  • 11/06

    SA Design

    With the World Cup kicking off today I thought it would only be fitting to feature some South African design:

    First up is Dokter and Misses, a collaboration between furniture designer Adriaan Hugo and multidisciplinary designer Katy Taplin who met at university where they did their first project together – designing cardboard handbags (which I’m pretty sure they are still selling!). The pair now produce a selection of furniture, lighting and objects in Johannesburg. They refer to their gallery/shop at 44 Stanley as a place “where dreams come to life and vodka slaying superheroes support and uplift South African design.” Their products are fresh and sleek – minimalist with an African edge.

    The place to go for a very stylish breakfast or lunch is definitely Superette. The beautifully designed cafe was set up by the organizers of the award-winning Neighbourgoods Market in Woodstock, Cape Town. At this neighbourhood café you can indulge in an assortment of your favorite market produce and specialty foods. The bright and airy interior is mostly muted with splashes of yellow, mixing interesting contemporary design with nostalgic touches like the old fashioned deli display and vintage fridge.  It also features super trendy furniture by XK, another young South African designer to keep an eye on.

  • 10/06

    Central Saint Martins Pop Up 2060

    103 students x 20 objects = 2060 Pop Up

    After a five week process that I imagine involved a lot of hard work the second year BA Graphic design students from Central Saint Martins hosted a week long pop up shop in Clerkenwell. The focus was on manufacture being an integral part of design, and we’re all very grateful, it gave us a chance to buy work from talented young designers.

    Apart from the great work they were selling they also hosted interesting events, they had everything from children’s design workshops to design speed dating.

    Here are some pictures of the goods that were on sale:

    (via Notcot)

  • 09/06

    Sur les Rivages by Aïssa Logerot and Amandine Chhor

    Designers Amandine Chhor and Aïssa Logerot have created a range of furniture and lighting woven from water hyacinths in Cambodia. Called Sur les Rivages, the project aims to find new applications for the traditional craft in order to use up the plant, which grows extremely quickly and is causing environmental problems. The designers worked with a local cooperative in Prek Toal, Cambodia, to develop the products.

    The project proposes to revaluate the weaving craft of water hyacinth in Cambodia. This aquatic plant is harmful because it causes many environmental, sanitary and economic problems. Since 2006, 35 women from poor families in the village of Prek Toal have come together at the Saray cooperative to adopt the traditional craft of water hyacinth weaving. They have already manufactured a few products, enabling them to maintain their incomes. Working over a 3 months trial period, in collaboration with Osmose association and the women of Saray cooperative, the idea of this project was to experiment this organic material and the weaving techniques, in order to find new applications for the invasive plant. Cambodia, a country undergoing reconstruction, is trying to revive traditional crafts which have disappeared during the genocide. Here more than elsewhere, the design can help to upgrade some of these skills and become the link between technique, form and use.

    Photographs by Amandine Chhor & Aïssa Logerot

    Via Dezeen

  • 08/06

    Trash Me lamps by Victor Vetterlein

    The intent of the Trash Me lamps project is to create a product that is born from the trash and returned to the trash after a short but useful life cycle. Each Trash Me lamp is created from four paper egg cartons, blended with water, poured over a mold, and smoothed by hand to form a section. After drying for a few days, the sections are fastened together with aluminum screw posts. A cloth electrical cord with recyclable electrical fixture parts is used for the lighting. For the Trash Me desk lamp, a paper bag filled with bird seed provides added weight to stabilize the base. At the end of its life, the Trash Me lamp can be quickly dissembled and the parts reused or recycled back into the trash to be born again as something as new.

  • 18/03

    PhoneBook by Mobile Art Lab

    A wonderful new idea for an iPhone app that enhances the interaction with chilrens’ books: PhoneBook was presented by the Mobile Art Lab in Tokyo. Unfortunately there is no text to be found in a language that I was able to understand (only Japanese, sorry). But if you watch this little video there is no need for any further explanation – just press play and enjoy.

  • 16/03

    Coffe & Cigarette by Carlo Trevisani

    Coffee And Cigarettes can be now sitting on your desk or table and keep the emotions of the wonderful movie by Roberto Benigni alive. A cup to enjoy your coffee while waiting to smoke a cigarette – an ashtray to enjoy the cigarette after the coffee. According to the words of its designer, Carlo Trevisani, you don’t have to be a smoker to enjoy this and smoking is not encouraged.

    Photos by Ilvio Galio

  • 01/03

    R606 Chair by Bartoli

    This seemingly simple stacking chair is far more sophisticated than first glance might suggest.  Through the innovative application of patented R606 polymer, collaborators Bartoli Design and Fauciglietti Engineering developed the R606 Chair for Segis.  The unique quality of R606 polymer is that the surface skin of the plastic is solid, while the inside is soft.  This double-density twin compound is molded around a rigid frame made of high-grade steel, providing sturdy support around a flexible and comfortable seat.  The first chair to successfully use R606, it is no surprise that it was awarded the XXI Adi Compasso d’Oro.

  • 17/02

    48 Square Metre by Beckmans College of Design in Stockholm

    48m2 is a collaboration between product and graphic design students at Beckmans College of Design in Stockholm. The first group created a series of products and the second a tight campaign for their exhibition.

    Furniture was developed by the product design students for a 48 square meter apartment, with the intent of “questioning and twisting preconceptions of home styling”. In response to this work, the advertising/graphic design students developed a killer campaign for the exhibit, creating the concept “Same but Different,” described below:

    Is a chair always a chair, an apartment always an apartment? Tilt your head for awhile, and the world will emerge in a different light. Up is down, objects change appearances, the unclear becomes obvious and problems meet their solutions.

    The campaign includes a two meter long exhibition catalogue (excerpted top), four promotional films (below and after the jump), and an exhibition in a reconfigured 48m2 apartment.

  • 29/01

    Design Real at Serpentine Gallery

    Design Real is the first design-focused show to be presented at the Serpentine and represents the development of the Gallery’s long-standing commitment to design through the Serpentine Gallery Pavilion programme, which celebrates its tenth year in 2010. Design Real is curated by Konstantin Grcic and designed in collaboration with Alex Rich and Jürg Lehni. The exhibition features an information space which expands on themes developed in the exhibition allowing visitors to investigate the origins and applications of the products on view. A dedicated internet site, designed by Alex Rich and Jürg Lehni, is the exhibition’s central resource and integral to its concept. Grcic says about the exhibition:

    Like contemporary art, design both shapes and reflects our constantly changing society. Good design understands human behaviour, offers pragmatic solutions to problems and enhances our everyday experience. Curating the Serpentine Gallery’s first design related exhibition DESIGN REAL my concept focuses on ‘real’ items, industrially made products that have a significance in everyday life,

    The exhibition is still on til 7th February. A catalogue (designed by Alex Rich) is published on the occasion of the exhibition DESIGN REAL by Serpentine Gallery and Koenig Books Ltd. featuring essays by Emily King and Jonathan Olivares.

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  • 25/01

    The Worlds Largest Lamp

    Belgian designer Bart Lens has designed the world’s largest ceiling lamp for Eden Design.

    The XXXLamp, inspired by the shape of a Chinese lantern, which measures up to be 4metres diameter and 1.6metres high. The formation of XXXLamp has twelve-segments that is suspended by a framework similar to that on a hot air balloon, which creates the structure of the lantern, making it look a little like the top of a mushroom or a pumpkin.

    XXXLamp requires three dimmable white light sources for illumination or it can take RGB power LED, allowing the lighting to be any colour desired, with a remote control so that the lamp can be dimmed or brightened.

    The idea of the XXXLamp is suggested that is to be hung quite low below head level allowing there 1.30meters off the ground so that you enter with a slight crouch.

    The XXXLamp is soon to be on sale for retailers but would not be very practical for anyone’s home due to the size of the lamp unless they had an enormous space for it to be located in.

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  • 10/01

    Sterotype Packaging by Daizi Zheng

    Chinese designer Daizi Zheng created a range of healthy snacks packaged to look like drugs and junk food, including these blueberries in a blister pack. Called Stereotype, the project includes carrot sticks packaged like cigarettes and celery sticks in a french fry carton.

    Stereotype is about helping people eat more healthier through their everyday habits. According to the World Health Organization (WHO), unhealthy diet is amongst one of the leading causes of the major non-communicable diseases. Can design encourage people to rethink their relationship with healthy food to gain a balanced diet?

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  • 08/01

    What Watt? by Tim Fishlock

    London designer Tim Fishlock has created a chandelier made of 1243 spent incandescent light bulbs. He designed and fabricated it for a private commission but will be producing an edition of ten in total.

    What Watt? is a memorial to and a celebration of the humble incandescent lightbulb. It’s a spherical chandelier, 1010mm in diameter made up of 1243 suspended bulbs of various shape and size, illuminated by a single low-energy light source. By 2011, all forms of incandescent light bulb will have been phased out in favour of greener alternatives. What Watt? marks the passing of a beautiful design that has remained relatively unchanged since its invention 130 years ago.

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    Via Dezeen

  • 15/12

    Raw Colour – Vegetable Design Research

    Raw Color’s first project 100%JUICE, presented during the Dutch Design Week 2007, demonstrated the power of natural color by extracting “natural ink” from vegetables. Now they have further developed the project into Raw Color No. 1, 2 and 3, which demonstrates their continued visual research on vegetables and examination of their internal structures. One of the results is a natural color map categorizing the diversity of vegetables by shades and families. Raw Color is a cooperation between designers Christoph Brach & Daniera ter Haar and demonstrates the often unnoticed beauty of our everyday veggies.

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    Via Core77

  • 06/12

    Enslaved Spiders produce huge Tapestry

    “For its weight, spider silk is stronger than steel, but–unlike steel–it can stretch up to 40% of its normal length,” reports the American Museum of Natural History.

    Scientists are trying to produce this intriguing material artificially on a large scale for possible uses on the battlefield, in surgery, for space exploration, and elsewhere. Since raising spiders has proven difficult, researchers are investigating ways to replicate spider silk to avoid harvesting. However, spider silk is difficult to mimic in a lab because the silk begins as a liquid in the spider’s gland, becoming a remarkably strong, water-resistant solid after following a complicated course through the spider’s interior.

    Simon Peers and Nicholas Godley are the owners and creators of Spider Silk, a Madagascar-based company dedicated to harvesting the material in ways that can be outputted through human-created production techniques. A rather shocking example of their success is this 11-foot by 4-foot tapestry created by weaving together the silk produced by scores of captive spiders, connected–harmlessly–to hand-powered machines.

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    In the following video, a very Jeff-Goldblum-in-Jurassic-Park-looking Nicholas Godley describes the process along with AMNH curator Dr. Ian Tattersall: Rare Spider Silk on Exhibit at AMNH

    Via Core77

  • 04/12

    Adopt an Olive Tree

    Making the farm-to-table connection all the more real, Nudo‘s “adopt-an-olive-tree” program delivers their delicious certified organic olive oil to your door along with the pride of ownership that comes from calling one of their trees yours. In addition to four 500mL tins of the tree’s first cold press extra virgin oil in mid-April and three half-size tins of infused (lemon, chile and orange) oil in the fall, adopters also receive a personalized certificate, information about their tree and an open invite to “visit, hug or water the tree in person.”

    The clever idea comes from two former British television producers, Jason Gibb and Cathy Rogers who moved to the La Marche region of Italy in 2005 seeking a different lifestyle. From their initial 20 acres, the duo’s enterprise now includes thousands of trees and nine small artisinal producers in the region and nearby Abruzzo, a strategy that not only helps keep up with demand but sustains smaller farms. It also means that, while most commercial olive oils use blends of questionable origin (read more here), Nudo oil comes from 100% Italian, hand-picked olives that go straight from the grove to pressing.

    The tin itself (made from recycled materials as a more eco-chic alternative to glass bottles) is just one part of the brand’s commitment to the environment, which includes a portion of the estate set aside as forest to offset their carbon footprint and their organic farming practices. Adopting a tree costs $150 (shipping included) for a year.

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  • 02/12

    Dreamliner by Boeing

    Boeing has announced their much-delayed 787 Dreamliner airplane will finally make its maiden flight later this year. It’s still just a test flight, meaning customers who have been patiently waiting for the reported 840 orders to be filled will have to continue waiting. The plane is roughly two years behind schedule. There is also an older concept work that BMW Group DesignworksUSA did for the 787 to drum up early interest. The designers came up with a sort of split-level ranch with wings, a plane that a literal high-flyer could live and work in–with nineteen friends in tow.

    By dipping into the cargo bay and with the liberal use of staircases, plenty of room has been created for a master bedroom, master bath with freestanding tub, a conference area, guest suites, a large-screen movie theater, a gourmet kitchen, office space, a cocktail bar, you name it. There’s even one area with a glass-bottomed floor so you can look in on your car (a BMW, natch) stowed below decks.

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    Via Reuters and Car Body Design

  • 02/11

    Mark the last Veil by Roos Kuipers

    At the Dutch Design Week in EIndhoven, Roos Kuipers presented an open coffin where the dead body is gradually covered in layers of fabric. Called Mark the Last Veil, the piece is made of elm with rounded corners and slots in the side to accommodate six layers of bamboo, cotton and silk fabric. The veils would be draped over the corpse one at a time and tucked into the opposite side, gradually obscuring the mourners’ view of the body.

    Description: At a funeral, the closing of the coffin is often a grim moment. A hard, abrupt action that is inappropriate for the sensitive and emotional grieving and mourning process. Roos Kuipers designed an open coffin made of traditional elm, with round, soft forms that softens this moment. Six transparent veils of bamboo, cotton and silk hang from its side. At the moment of leave-taking, the veils are layered over the body one by one, by which the image of the deceased is gradually obscured. By tucking the veils layer by layer into a groove in the wood, the body of the deceased is similarly ‘tucked in’ with loving care and respect.

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  • 12/10

    Found Form lamps by Enina Waelstham

    The growing family of lamps ‘Found Form’ is the first design to be presented under Dutch native Enina Waelstham’s own name and company. It is a clear presentation of her company Mormels’ vision for design, for the future of our planet and our homes.

    “At mormels it is all about our daily experiences within our cluttered environment.  We have grown used to being bombarded by images and are able to process and consume these at a very high speed. Mormels tries to use this existing language and re-use, recycle as you like, it as to break you out of your standard viewpoint.”

    ‘Found Form’ investigates reusing the wealth we already have in our world, as the shapes of the lamps come from existing objects in our everyday surroundings. By linking these shapes and taking their combined shape via the traditional technique of papier-mâché a new fascinating object comes to life. The material used to create the lamps over these objects is recycled paper, thus creating a lightweight, eco friendly, biodegradable and unique lamp.

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  • 19/09

    Ou Table by d-Vision

    Ou Table is a collection of conceptual plastic utensils for outdoor dining. “It brings the poetry of nature to such humble items as the spoon.” Designed by the clever Israeli-based firm d-Vision, the “neo-naturist” project takes inspiration from the simple beauty of eating outdoors with friends or family. With varying shapes and sizes that echo the organic forms found in nature, the collection also speaks to an understanding of the relationship between man and nature. For example there is a fruit bowl comprised of bubble-like shapes, shifting its center of gravity depending on what’s in it. And a cutlery collection that requires finding your own stick to serve as the handle as well as a zipper vase that adjusts according to flower arrangement needs.

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  • 18/09

    1948 Nike Playground Retail Store

    1948 is Nike’s creative playground-retail store in the old brick railway arches of Shoreditch, London. In addition to displaying and selling shoes, 1948 offers an entire art floor for events, installations and assorted fun. The installation created by Finland-born illustrator/artist/designer Kustaa Saksi is all about the historical fun journey of the Nike running shoe. Typical for the currently Amsterdam-based Saksi, the sprawling scene has a pop-art, retro feel that fits Nike’s history as a brand. Saksi’s Volkswagen van and psychedelic colors illustrate the pre-swoosh era in an earnest and deliberately clunky way.

    Via The Cool Hunter

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  • 09/08

    Campana exhibition at the Vitra Design Museum

    A retrospective exhibition of work by Brazilian designers Fernando and Humberto Campana has opened at the Vitra Design Museum in Weil am Rhein, Germany. Located in the Frank Gehry-designed museum and arranged thematically, the exhibition charts the brothers’ work to date and includes several new pieces. Exhibits include over 70 pieces of furniture plus prototypes, experiments, models and artwork by the Campanas alongside films, interviews, photographs, and objects collected by the designers. The exhibition continues until February 2010.

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    Photographs are by Thomas Dix

  • 06/08

    The Toaster Project

    A design interactions student at the Royal College of Art in London has made a toaster – literally from the ground up. Thomas Thwaites has travelled to mines across the country to get the raw materials for his toaster. Processing these raw materials at home, (for example he smelted iron ore in a microwave), he has produced a ‘kind of half-baked, handmade pastiche’ of a toaster you can buy in Argos for less than five pounds (for those non-UK readers, Argos is like walmart, except everything is hidden underground and accessed via a combination of small slips of paper, small pens and trolls that guard the booty). Thwaites’ toaster has cost 1187.54 pounds and has taken him on a 9 month quest around Great Britain. The project web-site is here.

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    Toaster-Project-mosaic

  • 09/07

    Folding Plug by RCA Grad Student

    by Tina M Cheng

    At the Royal College of Art’s 2009 Graduate Show, Korean-born Min-Kyu Choi showcased a surprisingly simple design that electrified the crowds.  Choi rearranged the formation of blades on a plug, folding it down to just 10mm wide, no thicker than a Macbook Air.  The transformation from flat to functional is a cinch: swivel the two flat blades 90 degrees and fold the plastic flaps forward to create a standard UK plug-face.  Accessories were also displayed, including a multi-plug adaptor and a USB device charger.  Choi should have no problem launching his career as a Creative Engineer with the radical reinvention of this common household item.

    Photos courtesy of Icon Eye

  • 01/06

    House of furniture parts by Studio Makkink & Bey

    Architecture, furniture and storage all in one. Studio Makkink & Bey took standard sheets of ply and with CNC cutting, created a miniature house to stand within larger interiors of offices, studios and lofts. With walls of stool, bench and table parts that easily come out and assemble, the functionability and character of the house can be changed as more or less furniture is used. A poetic vision for efficient production and material use, House of furniture parts transports flat and can be made to suit different functions, produced locally and customized.

    “If it is a studio, tables and desks will come out. If it is a film house, a projection screen with benches and stools will come out. If it is a children’s home, small furniture with cars, animals and a playground will come out,” suggests Jurgen Bey. “It is a system that starts from the designer but grows into the culture where it is locally produced, and therefore, it makes me very curious how it will look in five years.”

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  • 25/05

    "Remidate" by CTRLZAK


    A new project by CTRLZAK Art & Design Studio is ‘REMEDITATE’ – a series of everyday objects inspired by the medical world exploring elements of critical irony in relation to their function and origins. The collection of clear-cut furniture, lamps and accessories composes an austere, almost clinical space: Tables supported by orthopaedic supports, chairs with a straight-jacket embrace and cutlery in the aesthetic language of surgical instruments.


  • 20/05

    Contemporary Interior Design

    Through the ancient times interior designs have been very popular and people in the past have been picky on the interior designs they have wanted for their homes, offices, restaurants, pubs or clubs.

    First impression of everything really matters and hence that’s when interior designs come into picture. People are very conscious about the way their home, office, restaurant, office, pub or clubs looks like. This trend is still continuing today, although in the 21st century it is about the modernization of interior designs that are very different to the older times.

    21st century stands out with the vast collection and variety of designs that have been designed by different interior designers all over the world. It is about recognizing the art of interior designing and the process involved in it.

    Contemporary interior design styles are more likely to be recognized as International styles that are adapted from all over the world. These designs are incorporated and are linked with each other in terms of corporative designs taken from all over the world. Interior designers use the modern techniques to decorate and furnish working spaces and indoor living involving both the aesthetic and practical considerations.

    Contemporary Interior design cultures

    Classical and Asian culture are some of the most modern interior design cultures used to elaborate and create various interior styles. These cultures have originated through the past changing the design styles with the modernization.

    In the medieval European days interior designs were more of hanging objects made in elaborate styles that were used for the furnishing of castle. This style was reformed in the middle ages with more of Roman and Green styles that became popular. The recent style comes with the combination of all the international styles. Most modernized style is usually glass or metals to give a finishing look to the interior designing.

    Lighting is the important factor when it comes to Contemporary interior designing and hence arrangement of the interior designing is based on comfort, pattern, scale, color and balance.

    Furniture

    Furniture used in the Contemporary Interior design is often blended with the color and is more modernized than the ancient times. Furniture usually is made to complement the color and the entire designing process. Furniture is also very important aspect of designing process. The entire interior designing depends on the furniture you will opt for. You can actually make a statement, ‘Bad furniture will spoil the entire décor of your interior designing’.

    Wall Paper

    Most contemporary interior designers are now going for modernized wall papers that would give more of an attractive look to the décor. The interior designers choose the color and the wall papers but they definitely will sit with you to discuss if the colors and the paper used for the wall are feasible and if that is what you would like.

    Most Wall Paper décor will give a very sophisticated and classic look to the entire interior designing. The entire process of it is discussed to make the client comfortable with the look.

  • 11/05

    Reviwall – Salad from the wall





    Rather than having empty building walls covered with advertising or at best with ivy, why not install the Reviwall and turn your wall into a vertical vegetable garden? Some inspired Italians have set one up in Revigliasco, a small town near Turin, and it just looks magnificent. Check out the photo gallery on the website of La Stampa newspaper. Clever also the name, as it is not only a Revi[gliasco] wall, but also alludes to this pleasant “revival” of urban walls.
  • Mezzo Mare Chair Project


    This year at the International Design Week in Milan, an interesting project was presented in the Triennale: Mezzo Terra. Two artists – Michelangelo Pistoletto and Juan E. Sandoval – transformed the laleggera chair by the furniture company Alias into the boundary zone between land and sea, between art and design. The chairs are aligned around the geographical profile of the Mediterranean. Divided by the line of the coast they absorb the colours of both the water and the land. On the chairs the boundary does not divide but connect. Each chair is a unique work, signed by Michelangelo Pistoletto and Juan E. Sandoval. The total of 248 chairs delineate the profiles of the Mediterranean Sea, Baltic Sea, Caribbean Sea, Black Sea, Red Sea and South China Sea. All proceeds of selling the chairs will be donated to sustain the activity of Love Difference – Artistic Movement for an InterMediterranean Politic, founded by the most significant artist alive in Italy – Michelangelo Pistoletto.

    Click on pictures to enlarge.

  • 02/05

    Proef Amsterdam




    Proef is a creative design studio where food concepts are developed and executed. The studio is located in Amsterdam’s cultural park Westergasfabriek in a monumental building in a monumental building in a lovely garden where even chickens lay their eggs.In Proef you can work relaxed at the big table, have a break in the herbs garden or cuddle one of the chickens if you’re sick and tired of the meeting you are in. It is possible to marry in Proef, you can ask the civil servant to come to the studio! When the sun is shining, you can eat outside or share a pick-nick at a nice place in the park. In the studio you can give a presentation while the fireplace is heated up. Meanwhile you can see the chefs create the most delicious meals and serve in the same space. They like to tell you more about the taste an the honest ingredients they work with. In Proef the food tells a story and they think it is important to think together with their clients. Food concepts are tailor made.The unique location in the Westergasfabriek in Amsterdam offers the possibility to receive 45 guest for a sit-down dinner, or 65 guests if it is a more informal ocasion. In the summertime the tables, chairs and benches are being put outside or a tent is placed to welcome the guests.

  • 05/03

    John Lewis by FOA

    New John Lewis department stores in Leicester

    The decorative facade wrapped in pattered fabric that acts like a curtain allows customers to see out without being able to look in, and when viewed at an oblique angle from the pavement, the pattern becomes almost opaque.

    To find the appropriate pattern, the Architect delved into John Lewis’ archive, picked a couple of its fabrics patterns, fused them and made them more geometric. Applied to the facades the frond-like motif became an optical device seen
    from both inside and outside.

    The building is connected to the Highcross with a bridge, and the inner street is left open, making the development permeable.
    A bright public walkway a first-floor level links the mall to a second bridge across the main road.

  • 03/03

    KBB Review Industry Awards B3 Designers are Shortlisted

    Le Gavroche short listed by KBB

    B3 Designers where recently informed that they have been short listed for the Contract Designer Award for Bathrooms for our entry of the Ladies toilets at the Le Gavroche. B3 Designers were invited to present the presentation on the 12th of February at RIBA and asked to give a brief description of the design process in order to deliver the design. The project was well received amongst the KBB judges and we look forward to the award ceremony held at Excel on Monday the 11th of May where all finalist will be present to hear if they have won. We look forward to the event.

  • 02/03

    B3 Designers short listed for three awards at the first Restaurant and Bar Design Awards


    B3 Designers are Finalist for 3 Awards

    Today we have been informed that B3 Designers have been short listed as finalists for 3 possible areas of design excellence at the first restaurant and bar design awards.

    There have been over 300 entries from the world’s top designers and operators. Therefore we are very please that the judging panel has short listed B3 designers into the following categories.

    B3 Designers for Le Gavroche (Washroom Space Category)

    B3 Designers and Babel (Bar Interior – Stand Alone Category)

    B3 Designers and Carbon (Bar Interior – Other Space Category)

    We are honored to be short listed as finalist and look forward to the award ceremony, taking place on the 27th of April 2009. The award ceremony is to take place at the Village Underground, in Shoreditch, London. We will be celebrating with our clients: Michel Roux Jnr owner of Le Gavroche, Steve Cox of Faucet Inn owner of the Babel Bar, and the team from the Guoman Hotel Group.