Archive for the ‘Bars’ Category

23/01

Lisl

Red Pif Restaurant and Wine Shop by Aulík Fišer Architekti

For the design of the Red Pif Restaurant and Wine Shop, Czeck designers Aulík Fišer Architekti decided to keep the inspiration and execution as pure and natural as the wine served. The designer and owner worked together, using photographs of bars and wine shops in France as inspiration, but drawing from their honesty rather than their style.

The architect said about the design: “We put most of our effort to make our work invisible at first sight. Our interior should be a background allowing enjoy good wine and meal here and now.”

The first step in the renovation was removing any superfluous building elements so that only the original 19th century structure remained. Bottle-shaped shutters were added that pivot open to reveal the stripped back interior that has been modestly furnished with design classics and simple, elegant fittings. Wine bottles are stacked high in a steel rod framework that creates simple geometric patterns on the walls. Dimly lit, bare light bulbs create an intimate atmosphere where the original intention of the space is allowed to quietly reveal itself.

Photography by AI Photography.

14/01

Lisl

Goat Town, New York

Goat Town, in East Village, New York is meant to be an ‘elevated everyday American bistro’ according to owner Nicholas Morgenstern. Brothers Evan and Oliver Haslegave of Home is responsible for the interior that is filled with reclaimed industrial pieces. While the use of white subway tiles is by no means unusual, the designers used them in a surprising way – tiling the banquette seating. This detail adds a hint of glimmer to the monochrome space that contrasts dark wood and rusty steel with light walls and floors. Details like salvaged signage and decorative ceiling panels complete the aged appearance of the space.


13/12

Lisl

Cafe Moto, New York

One New York’s more humble flatiron buildings houses Cafe Moto. The peeling paint exterior of this Williamsburg artists’ cafe can be misleading about what goes on inside; but as you enter through the rusty industrial doors the atmospheric interior seems both familiar and unsettling. Sepia tones are punctuated by shiny metal fittings and marble table tops. In the centre of the cafe sits a curving bar with taps made of repurposed bike parts – hence the name Moto. Low lighting, battered wood and antique glass ensure that the cafe has a cosy, intimate feel which is occasionaly interrupted by the faint “please stand clear of the closing doors” and rumbling of the overhead train that runs by it.

24/11

Lisl

Les Grandes Tables de L’île, Ile Seguin, Paris

Les Grandes Tables de L’île on the outskirts of paris could be mistaken for a greenhouse – or even a house still under construction, but it is actually a bar / restaurant conceived as a temporary meeting place while Jean Nouvel completes a museum project in the area. The restaurant is housed in a large timber ‘container’ suspended in a scaffolding frame that doubles as an events space.

The interior takes its cue from the restaurant’s temporary nature and uses simple building materials like wood in its crude form for both walls and floors, while playing with the positioning of windows and capitalising on the view it gets over the area. The restaurant will stay open for a total of two years before the entire structure is dismantled and removed, leaving the site practically untouched.


(Images via Wallpaper)

10/11

Lisl

The Riding House Café, London

From the team behind Village East and The Garrison comes The Riding House Café, a modern all-day brasserie that fully embraces the current trend of salvage. Every item used in the eclectic interior – from the furniture to the fittings has either been reclaimed or is bespoke – creating a trendy, one-off space with a hint of English-eccentric.

The large space has excellent natural lighting, thanks to the large windows and the shell is largely left bare, exposing a patchy ceiling and the conduits that run along it. The RHC has three main sections – the white-tiled bar; the casual dining area with large tables for drop in diners; and a private, bookable dining area comfortably furnished with leather chairs and banquettes.

The dining area has been furnished with a massive communal dining table of scaffoling and timber, surrounded by old theatre seats have been shipped from California. Smaller tables with sturdy, ex-snooker table legs line the large windowed facade. The main dining area is divided into sections with a steel shelving unit that puts a collection of eccentric bits and pieces on display.

Reclaimed front doors, complete with mail slots that have been polished and glazed, and now function as cabinets seperating the private dining room from the rest of the restaurant. The private dining area is actually an old English stable that has been taken apart and reassembled in the restaurant; hinting at the equestrian theme of the name that was taken from its location on Riding House Street. The space uses the same tables as in the rest of the restaurant, but here they are surrounded by plush, upholstered chairs and banquets for indulgent private dining.

(Images via Flodeau)

25/10

Lisl

Smith & Mills, New York

Behind the weathered, nondescript doors on a quiet street in Tribeca hides Smith & Mills, a gem of a bar. Similar to the unassuming facade, the interior space gives the impression that it has been there for decades.

The light, vaulted ceiling creates a feeling of space in the cosy bar that has been well worn in. The interior is furnished with comfortable banquettes mixed with vintage industrial pieces and unusual fittings.

Framed architectural blue prints and lamps that look like they belong on drawing boards line the walls. This theme is carried through into the branding: the bar’s logo features a classing drawing of a draughtsman’s compass.

(Images via The Scout)

23/09

Lisl

Atelier Mecanic by Corvin Cristian

A former factory in the Old Town of Bucharest, Romania has been given a new lease on life as a bar with strong industrial overtones. We have seen plenty of interiors that creatively mix old and new, but very few that successfully mix old with more old. Relics from the 1950s to 1970s comfortably rub shoulders in this quirky space.

The factory shell has been left untouched save for minor cosmetic alterations such as fresh paint in subdued grays and dull, industrial greens and reds and fresh coat of screed on the floor. The custom built bar takes centre stage and continues the nostalgic feel with white tiles and copper top.  The vast majority of furnishings are salvaged with origins both industrial and otherwise. The vintage posters add a nice finishing touch to this bricolage vintage pieces.

Salvaged sleepers form steps into the old factory.

The large bar top is constructed of sleepers similar to those used for the steps, but covered with copper.

The machinery overhead are remnants of the original factory.

Salvaged desk lamps line the walls and illuminate the vintage posters.

The interior evokes a strong sense of both the building and city’s past.

(images via yatzer)

15/09

Lisl

Zmianatematu cafe, Łódź

Polish architects xm3 have designed a cafe with a cave-like interior in Łódź, a city aspiring to become the fashion, design and film capital of Poland. The space is almost entirely enfolded by plywood ribs that form the contours of the ‘cave’. Where wall surfaces are exposed they are left unfinished with patches of plaster and cement visible creating a raw, edgy feel.

The sculptural ply lattice theme is carried through to the furniture: coffee tables are made of plywood grids with glass tops.

Bare light bulbs dangle nonchalantly above the space, completing the effortlessly cool interior.

(Images via Dezeen)

12/09

Lisl

RGB in London

The RGB project, as previously previously featured on this blog, is now in London at DreamBags-JaguarShoes.

RGB is by Frencesco Rugi and Silvia Quintanilla, an artist/designer pair from Milan operating under the moniker Carnovsky. For the London installation they explored the concept of “Jungle”, creating intricate, overlapping graphics depicting a dense forest. Each primary colour layer represents a layer of the jungle: green light reveals the foliage of the jungle, red light unveils the animal kingdom, bar the monkeys, which are playfully revealed under blue light.

Since the space is actually composed of two smaller spaces, previously the shops ‘Dream Bags’ and ‘Jaguar Shoes’, the designers decided to treat one space as day (images above)  and the other as night (images below).

(Images via Dezeen)

24/08

Lisl

The Draughtman’s Arms, London

As part of ‘The Arhictect: What Now? exhibition that ran from 9 to 13 August, architects Gundry and Ducker designed a ‘pop-up-pub’ in the Crypt of a Marylebone church that served as a bar on the opening night and as a reception area for the rest of the exhibition. Its simple cardboard shell was decorated with 1:1 CAD drawings of wallpaper, art, windows with architecture related views and all the other little details that make up a typical English pub.

The illustrated aesthetic was complimented by a simple trestle table that served as the bar and a minimalist chandelier made of wood.

Its cardboard shell hovered dado height above the floor, partially revealing activity within.

(Images via Dezeen)


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