Posts Tagged ‘london’

17/11

Shoot the Stylist!

Meatliquor Restaurant by Shed

The Meat Wagon; a legendary food offer known by keen foodies and avid trend forecasters alike. The infamous burger van has globetrotted it’s way around any festival worth mentioning, spearheaded it’s own events and become synonymous with great food, delicious drinks and relentless parties. Now the legend continues, but instead of four wheels, it will be presented in a more permanent fixture.

When interior architects Shed first collaborated with the Meatailer enterprise, a design formula was created that would mean no two establishments would ever be the same; originality and nonconformity are at the heart of the Meat Wagon’s philosophy so all environments had to embody this ethos while taking on their own character.

The concept: to take an idea borne of location and environment and mince that up with the Meat Wagon’s utilitarian ‘no nonsense’ approach – all materials in their raw form, all elements explicit in their function.

Lurking beneath a car park just behind Oxford Street resided the perfect site for Meat Liquor – the Meatailer’s next venture. Previously the site of an Italian restaurant, the site was appropriately kitted out with an impressive Rococo style dome and a mass of ornate columns and architraves.  So with this influence the idea came: a modern day mural to make Michelangelo weep, a ’tattoo’ that would envelop and intertwine with the obscurity of the building.  A scene that would tell some of the Meat Wagon’s story so far and mutate the classical architecture into something far more appropriate to the Meat philosophy.

Shed commissioned the prolific design collective ‘I Love Dust’ to administer the monumental illustration.  in just a week, a team of illustrators and graphic artists camped out on site to adorn as much visible surface as possible, with colourful tales from the Meat Wagon’s past, culminating in an extreme and almost hallucinogenic visual experience.

Red ‘liquor’ signs have been suspended in the windows to splay dull light over the dyed oxblood red, leather banquettes.  Industrial cage lamps are hooked and gathered around galvanised steel hooks and suspended over blackened steel framed tables.  Red cord is looped from the centre of the dome to reach salvaged industrial work lamps, positioned to highlight poignant images trapped within the trailing mural.

Industrial rubber flooring and an 8-metre long stainless steel bar with corrugated sheet façade resonate the sterility of a factory environment. Occupying the floor is a small army of vintage industrial seating, all powder coated in just two utilitarian colours. A length of ‘butchers’ curtains contains the lower level ‘Pit’; the Meat Liquor’s VIP area where guests can enjoy the thoughts of Hunter S Thompson that adorn the walls.

A project like this comes up once in a lifetime.  To have a chance to push boundaries of what may be considered indecent, inappropriate and down right wrong, and to have this concept whole heartedly backed by the client is one in a million.  The history of the Meat Wagon has been the driving force behind every aspect of this project but what remains now is an entirely new beast.

Shed

19/10

Lisl

GRAB Thai Street Kitchen by Mansikkamäki+JOY

GRAB Thai Street Kitchen intends to introduce London to the simplicity of Thailand’s urban street food culture. This new ‘fast food’ restaurant sits a short walk away from Old Street and serves up good, affordable, everyday meals freshly prepared and dispensed from behind a counter.

The design was done collaboratively by Mansikkamäki+JOY and Lifeforms Design. In keeping with the idea of street food the restaurant has a ‘rough around the edges’ industrial feel, using materials associated with construction for the interior fixtures and fittings. Pallets and corrugated metal sheets line the walls and large globe light bulbs dangle haphazardly from a web of red and blue cables, creating an interior that, although minimal, hints at the lively scenes of Bangkok. Red plastic stools, similar to those used in urban street vending in Thailand, surround communal tables made from construction left overs.

(Images via Dezeen)

18/10

Lisl

Frieze Art Fair Pavilions by Carmondy Groark

Each Autumn the Frieze Art Fair exhibits works from 1000 living artists represented by contemporary art galleries around the world. The fair’s program also includes talks, film projects and architectural installations. This year the fair was bigger than ever.

The fair was hosted in a 2000 sqm purpose built temporary pavilion in Regents Park by London architects Carmondy Groark. The intervention consists of a series of interlinked, translucent pavilions housing hospitality spaces for both VIPs and the general public, along with large exhibition tents that take the form of timber lined spaces surrounding existing trees in the park.

The intervention perfectly balances architectural expression that is sensitive to its context with the requirements of a large scale art exhibition.

(Images via Dezeen)

14/10

Lisl

Topman General Store

Topman General Store is the high street fashion powerhouse’s first standalone concept store, located in Shoreditch. Unlike the Topshop we’re used to, the interior is pared back and minimal, giving carefully curated collections from their ‘Design’ and ‘LTD’ ranges the opportunity to stand out. The store is curated by the brand’s design director Gordon Richardson and the creative director of b-store, Matthew Murphy.

The interior has an early 1900s sideshow Americana look and features seasonal collaborations, temporary installations in display cabinets, limited edition art prints and books. Exposed brick walls and grey painted walls  provide the perfect backdrop for the garments and artifacts on display. This rough, worn in, east end cool interior might just trick you into thinking that you have walked into an independent retailer.

(Images via weheart)

10/10

Lisl

The Past Was a Mirage I Had Left Far Behind, Josiah McElheny at the Whitechapel Gallery

New York based sculptor and writer Josiah McElheny created a large-scale installation for the Whitechapel Gallery. Seven large, mirrored sculptures are dotted around the space. Abstract films are projected onto the screens and mirrors of these minimal sculptures to great  visual and spatial effect.

The exhibition forms part of The Bloomberg Commission that invites international artists to create annual site-specific artwork inspired by the rich history of gallery 2, the former reading room of the Whitechapel Library,  a creative haven for early modernist thinkers like Isaac Rosenberg and Mark Gertler.

McElheny’s installation explores how abstraction is used to depict an image of visual enlightenment.  The reflections and refractions created by the installation saturates the gallery in images and light, distorted and multiplied. The installation will be tranformed constantly by alternating the visuals projected onto the sculptures.

(Images via Whitechapel Gallery)

06/10

Lisl

40-48 Fashion Street, London

A former market hall in Fashion Street has been converted into university offices by London based architects Buckley Gray Yeoman. The Grade II listed Moorish building that was used by traders at the start of the twentieth century required extensive work as a major fire demolished the entire rear section of the building. Fortunately much of the original facade remained intact and was preserved.

The architects placed the new structure independently from what remained of the original building in order to emphasize the individual structural identity of each. A layer of Corten steel is wrapped around the concrete structure of the new building to add a layer of depth and in response to the rich urban industrial character of the area.

The interior also has a strong industrial character: in-situ concrete is left exposed and complemented by timber panelling and glass balustrades. A large atrium allows natural light to filter down throughout the building.

(Images via Dezeen)

05/10

Lisl

Café Liberty, London

SHH architects have been asked to redesign the second floor restaurant of Liberty, the famous London department store originally built using the timber from two warships in 1924. The aim was to integrate the café with the store and introduce an Arts & Crafts movement spirit to the restaurant of the store that has a well known dedication to design.

The new interior is refined, hinting at the history of the store but in a fresh, contemporary way. Bent wood chairs and glass light fixtures with a handmade feel set the scene for this contemporary-classic interior. Delicately patterned wallpapers from Chiswick artist Marthe Armitage, who started designing and producing her beautiful wallpapers just after WW II, adorn the walls; while a flying duck sculpture in pink neon, custom designed by lead designer Helen Hughes, add a surprising twist to the otherwise demure interior.

(Images via weheart)

04/10

Lisl

The Disappearing Dining Club, London

The Disappearing Dining Club is a step away from the conventional restaurant experience. It occupies a permanent ‘Dining Room’, a one table space that can only host ten people at a time, in Featherstone Street near Old Street, but also throws dinner and drinks parties in empty warehouses, hidden rooftops and basements, secret galleries and gardens, and just about any unusual space you can think of.

The interior of the Dining Room, which opens only for bookings, is warm and homely. Guests are encouraged to forget about time, as all of the clocks on the walls have stopped long ago. The shelf that runs all around the room just below ceiling level is stacked with well-thumbed novels and 20th century bric-a-brac. The large wooden table is set with mismatched cutlery and old-fashioned glassware and creates the feeling of sitting down to a big family meal. The dimly lit interior, along with its quirky decor and limited amount of place settings creates a nostalgic dining experience that you are unlikely to have anywhere else.

(Images via The Disappearing Dining Club)

29/09

Lisl

Outsider Tart, London

When Americans David Lesniak and David Muniz moved to London, they felt that the indulgent cakes and tarts that they were used to were hard to come by, and promptly decided to rectify the situation themselves. The Outsider Tart serves up about any sugary treat you can think of, from brownies to biscuits, and already has a cult following.

The dark interior is as quirky as the cakes they bake, with the large arrow shaped light fixtures above the counter taking center stage. The ceiling also features prominently and looks like it has been lined with cake tins of various sizes. Rough wooden shelves line the walls and add a rustic touch to this contemporary space.

(Images via weheart)

19/08

Lisl

Dishoom, London

Dishoom is London’s very first Bombay Café. It draws inspiration from the cafés opened by Persians in what was then Mumbai, these types of establishments cemented themselves in the lives of many a Bombayite and Dishoom is sure to do just that in London.

The elegant restaurant is full of old world charm, with bentwood chairs, marble topped café tables and memorabilia loosely arranged on the walls.

Wood is used throughout the interior, from the floors and furniture to the wall panelling, and contrasted with the light ceiling and antiqued mirrors it creates a warm, but contemporary feel.

Slow turning ceiling fans and procarious lighting lends extra appeal to what is already a very attractive interior.

(Images via weheart)


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