Archive for April, 2010

27/04

Mark

Speed of light

United Visual Artists, a London based art and design practice, came up with some interesting light installations in the Bargehouse, an old industrial warehouse on the South Bank. It ran from 9-19 April and was commissioned by Virgin Media in celebration of ten years of broadband internet in the UK.

Drawing inspiration from the materiality of fibre optics, a thin strand of glass with a flickering beam of light, the installation starts with a single beam of light, fueled by user input. As visitors move through the already dramatic warehouse setting, the light installation evolves into a variety of atmospheric light shows.

Moving through the six rooms, spread across four floors, visitors are immersed into diverse visual experiences created by the 148 lasers used. Through their exploration of communication and modernity, they have also showed how dramatically spaces can be altered without physically changing the fabric of the building.

27/04

Mark

Skitsch

New Italian brand, Skitsch, has opened shop in Brompton Road, London, after success at last years Salone. The showroom playfully displays interesting furniture by Maarten Baas, Naoto Fukasawa, Konstantin Grcic and Marcel Wanders, as well as new talent 5.5 and Luca Nichetto. Founder, Renato Preti, aims to have beautiful yet surprising pieces in the collection, steering away from a particular style so that shoppers can choose from different design personalities. The space was designed to be inviting and features tactile surfaces and lively compositions, so as not to be intimidating as showrooms sometimes tend to be.

image courtesy of Wallpaper*

image courtesy of Wallpaper*

21/04

Shoot the Stylist!

Milan Design Week 2010: Erastudio

erastudio 1.jpg

This show was my absolute personal highlight in Milan this year: Erastusio’s Apartment Gallery. As the name suggests, it is a gallery placed in an apartment. The exhibition – curated by Marco Tagliafierro – was extraordinary, particularly for the tension it created by the discrepancy of content and location: Being placed in the poshest design quarter of Milan (Brera), the show explored the will to recover materials and structures from past installations, and represented the stylistic sign of Erastudio, which proposes to “extend the use and performance of many different materials like semi-industrial, excluded from the aesthetic debate”. Also on show were various prototypes of renowned designers, some as old as 70 years, now being sold as individual gallery pieces (the prototypes, not the designers).

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Shown above is one of the installation pieces of the Fragile Memory Boxcreated by Patrizia Tenti and Giuliana Frangipani. The commissioned bronze piece below, showing a group of mice, is created by Riccardo Goti. The organizers deliberately chose it as the representative animal for this show. Being considered as filthy and a pest, they felt it would emphasize the subversive character of their exhibition. Underneath are (already burned down) candle holders by the same designer, made from spare car parts.

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This arm chair is made from left over materials from fashion trade shows. The black cover is an aluminium sheet. The beautiful vases carry the typical signature of renowned wood turner and designer Ernst Gamperl. He turns them with green wood so when they dry, the super thin walls crack at certain points and create absolutely stunning shapes.

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Above is a shelf created by Erastudio from found design prototypes from the 1940’s as well as a wonderful mirror coat hanger: If you push in the top part of the mirror, the coat hanger is revealed. An ingenious piece from the 70’s that never really went into production. All in all a truly sensitively curated show with perfect lighting. The location, the Apartment Gallery can be rented for shows during the whole year.

05/04

Tina Michelle Cheng

Colicchio & Sons

Given just one month to transition a restaurant space from one Colicchio brand to the next, the quiet changes made to the interior formerly occupied by Craftsteak were far more subtle than the changes to the menu.  Opened in January as Colicchio & Sons, the design is slightly more stripped down, but casually elegant.  You’ll walk by the new pizza oven and open kitchen no matter where you decide to dine.  A dual-sided steel shelf that stores firewood creates a screen between the entrance and the Tap Room, while the floor-to-ceiling glass wine vault does the same between the Tap Room and formal dining.  Both effectively address the soaring ceiling heights in a different fashion.  An oversized patchwork rug in front of the bar sets the relaxed tone for the Tap Room.  In the formal dining room, the large rounded banquettes have been removed, a telling sign of the decrease in business and group dining.  They have been replaced by a freestanding orthogonal banquette shared by several tables, which provides more seating for small parties and the flexibility to accommodate larger groups as well.  The new space is cohesive, earthy and cozy, with good service and decent food.  You may even see celebrity-chef Tom Colicchio on your next visit, who has committed to being at Colicchio & Sons several nights a week.

Tap Room

Wine Vault

Dining Room


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