Archive for April, 2009

19/04

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NYC Information Centre by WXY Architecture

WXY Architecture have completed the NYC visitor information centre in New York, USA. Visitors create custom guidebooks and itineraries for their visit to the city, which they can view on large screen. The design was developed in collaboration with media design company Local Projects.

WXY has created a new paradigm that eliminates the need for dated print brochures. Alternatively, users can now place digitalized “pucks” on the ‘Interactive Map Tables’, which trigger the mapping software and allows them to create custom guidebooks and itineraries of New York City.

The i-shaped glowing “digital mirrors” that hover above the Smart Tables are guided by the universal symbol for information – a single i – and function to draw visitors through the space on an oblique pathway.

The mirrors throw a color-based projection on to a fabric screen made of Barrisol which responds the user’s choices based on the category of activity selected such as dining entertainment, lodging, etc.

Once an itinerary is developed, the visitor can then choose to view heir travel plans in three formats.

The large video wall, located on the rear wall of the information center, is comprised of 16 high

definition flat screen monitors that allow visitors to view a dynamic three-dimensional map of their urban itinerary. By placing the digitized puck on the screen’s designated pylon, a visitor’s saved search cartographic display of the city from above travel route mapped out within it.



12/04

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Konjaku-an in Osaka



Japanese designers Inly Design have designed a combined bakery, dried food store and cafe in Osaka, Japan. “Konjaku-an” cooks and bakes with the ingredients and the wisdom from Japanese ancient times in order to preserve the traditional techniques and recipes and to transfer them into modern times.

The interior manages to let “the old” and “the new” coexist by combining, for example, an old footing board, a worn-out farm implement, an antique table and a bamboo colander with a partition created by recycled hula-hoop rings and a “lighting umbrella” – i.e. multiple lamps that hang from the ceiling on cables, all originating from a central light fitting.

12/04

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Ronnybrook Milk Bar in NYC's Chelsea Market



The latest addition to NYC’s Chelsea Market is the Ronnybrook Milk Bar featuring Ronnybrook Farm’s line of milk, yogurt, cheese and ice cream incorporated into seasonal breakfast and lunch menus.

Designed by Mark Sarosi in collaboration with Studio A+I, a small Brooklyn design firm, it features a circular island counter in the centre. Along the walls is a whole stock of old antique wooden milk boxes “to make it feel like you’re back at the farm”.

“Chelsea Market itself is an environment where transparency is key. It’s a marketplace wthout walls where you can watch purveyors practice their trade. Our transparency is kind of minimal, but you can watch drinks and sandwiches being made and ice cream being dipped. It’s a nod to old Americana, the milk shop and the North Eastern kitchen,” says Mark Sarosi, the initiator of the space. “I never thought it would be this busy!”

Via Coolhunting

06/04

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London flagship showroom for Kvadrat

Kvadrat have just opened a new flagship showroom in London. It is a product of an unusual collaboration between the legendary graphic designer and art director Peter Saville and acclaimed architect David Adjaye. Housed in a former Victorian Factory, the showroom operates on two levels, with office spaces on the ground floor with the showroom located on the basement level.

A key element of David Adjaye’s solution, to what was a challenging space, was to remove a large part of the floor between the two stories, allowing for a dramatic staircase, which is a central feature of the building. Flexibility, and creating a context for showcasing colour, were two key considerations in the design of the space.

Colour is a central element to Kvadrat’s textiles. This is reflected in a key design element: a glass balustrade, featuring the colours of the spectrum, which lines the stairway.

Peter Saville was involved in choosing many of the colour accents, particularly focusing on the selection of fabrics. He chose to work with Kvadrat fabrics in kaleidoscopic colours, for the chair coverings in the office space. Each chair is a different colour, allowing staff flexibility and choice.

“Lots of projects don’t allow room for individuals to enter in,” Peter Saville explains. “We were concerned with the fact that people have to work there every day, so we needed a bit of everyday pragmatism. We were not trying to make an architectural statement but create something that is fit for the purpose, and a key element with this space was to allow room for interpretation.”

Pictures by Ed Reeve


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